Written by Konelis Larach, 26th Abbot of Zarant, the Annalia was the first work to firmly establish and codify the doctrinal basis, scriptural support and philosophical underpinning of the Order of Silence.
This ancient text is the legacy of one of the greatest mages of all time, but using it can be quite a challenge!
They say the walls have ears. Here we have a book that does….
A collection of 30 scrolls, manuscripts, and codices sampled from the library of Atal, the Wise Councilor.
Hot off the Press! These are not your eldritch manuals or ancient folios of doom. These are random books, a GM can use whenever a PC reaches for a shelf, which usually happens when said GM is least expecting it. These can be found in most libraries, many private homes, and anywhere else one could expect to find a book. More than a few have some built-in plot hooklings as well, while others, like many books of our age, are plain drivel.
Always wary of the minions of the Lying Ones, for they revel in aberrant actions, and seek only to undo your works and subvert your thoughts. - Excerpt from the Samahhi
Nerundill caught hints, snippets of conversation. The rumors surrounded a book, a book of magnificent power. A book that contained the knowledge of the ancients. With every new tantalizing bit of information he heard, his resolve to possess this book increased.
TOP SECRET! A Pickled Herring
A palimpsest is a manuscript, usually of papyrus or parchment, on which more than one text has been written with the earlier writing incompletely erased and still visible.
This scroll contains secrets and conspiricies that would shock the most frequent schemers. Compiled by an order of ‘scholars’ that compiled dirt and furtive information of kings and emperors to use in order to control powerful people. However they eventually paid with the lives of the entire order, but their secrets live on. Secrets that could destroy an empire.
The Egyptian Book of the Dead is a name referring to a set of ancient mortuary spells written on sheets of papyrus. Incidentally, it is also a good example of a campaign defining piece.
An (un)holy book written in ink created from a Shard of the Storm.
A sinister book that forces the reader to relive painful memories by presenting idealized versions of their outcomes.
Book with initially blank pages which records the life of the holder from the time it is picked up to the day someone else picks it up, at which point it starts again as blank pages.
They stood on the crest of the rise, three men deep. Their banners, Golden Lions Rampant on a split field of red and blue, fluttering on long poles in the wind. They were silent. By some signal, they all began to rush forward screaming their battle roar. Halberd and blade coming open on the move. The enemy line broke under the power of the Lion’s signature charge.
Major Advarete, Memoirs of the Twin Rose Wars 1320 Greenfield Presses
“When I was ten-and-eight years old, I went south to the land of Emhutz, which is near the Holy Land, and I went before the wisest of all God’s creatures but the Prophet, Najaug, all-knowing, all-seeing, all-wise, who in this time did dwell there, and him I asked five-score questions.”
-The Subeya, “First Song: Going Before the Prophet”
Flip. Flip. Flip. Flip. The sound softly echoed in the Sanctum’s walls.
The Fifth element is that of Spirit, and thus the providence of PrayerCrafters. As Spirit moves, so does the other elements, as there is a connection between them. One is the shadow of the other. When there is a connection, it is always two way. Thus we can manipulate the spirit through the use of the other elements, and obtain healing through the use of non proscribed magic.
The Hand is the most important tool in magic. It can be used to trace symbols, focus attention and concentration, and allow for easier manipulation of mystical flows by tying certain actions to similar hand gestures. It is the ultimate tool of civilization.
Among the Centasi, especially those of the northern regions (a peculiar debased form of opera is performed among the islands of the north of which we shall not speak), there is no more beloved, ancient, and respected art than opera, that wondrous blending of theater, song, and orchestra. And there are no more respected composers of opera among the Centasi, whether ancient or contemporary opera, than the late masters Signore Anlar Parlat and Don Hazhizhab Takl. Their masterpieces, Phantom Snake and Don Han, respectively, are iconic to all Centasi.