There is lot of information presented in here. I love that we get a lot of the information through the backchannels of the piece and not in the direct delivery. We have natural born wizards, a constant battle between the will of men (or ten year old boys) and the will of nature that wants to burn up the citizens, and shadow beasts the make are agents of human sacrifice. We also have consistent voice in the piece.
You see the person telling us about the road and the city is same person who knows all the secrets. But that is unknown to us at the beginning of the pieces, because the speaker uses a very passive voice and asserts almost a second person perspective. He also tends to repeat himself and by repeat himself I mean say the same thing two different ways, like saying it twice or three times. You see this repetitive voice, it gives you the sense that there is a bit a folktale quality to story. You are a little more tolerant of uncertainty when your narrator is a little folksy.
But what is the narrator’s point? Why is he telling us this story? I am 100% behind writing game stuff like a writer first not a like a gamer. That demands consistent voice, considerations of perspective and bias. You have done that here, and I love it. But I don’t know what the narrator is getting at besides few cheap surprise moments (clean skeletons, the guy coming back after the event, or the boy blowing up his town). Using this narrator’s voice, you use twice as many words or more than you probably need to describe the town.
The use of voice would be even stronger if there was more back channel delivery of information and you might achieve this if we knew a little more about the narrator and his intentions.
How does the narrator know all this?
How can this narrator, who drops so may little “surprises” on by taking the round about way to get to his/her point and not end this story with climax or a hook? You have weak ending that does not fit the tone of the rest of the piece. The piece by its nature promises a reveal and it does not give us one.
Here is a plot idea:
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The people get sent back 500 years and rise to power: spreadout, conquer the world and all that. They then begin to actively support the human sacrifice in Litwell to maintain their defiance of the personified force of history you mention. Thus a plot may be to overthrow the tyrants, you have to stop the human sacrifice in the Litwell, this will pull the tryants ancestors out of time, burn them and eliminate the ruling class. Screw that Litwell return makes everything right idea. HOW CAN YOU HAVE A TIME TRAVEL STORY WITHOUT A PARADOX?