A very well written and "powerful" character!! If you were going for "disturbing", you have succeeded! True madness revealed.
In a movie, she would be played by Sheri Moon Zombie!!!!
ok, i'll ask. What in the world is that rectangle in the middle of the sub?
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another Plothook: Against all the odds, Mad Alice is somehow capture by authorities. The clowns go ballistic, and plan on springing her via an all-out assault on the precinct (she has not been incarcerated quite yet). The PCs are guarding the precinct. One of the other officers on duty is really one of the clowns, or on their payroll. Goal: Survive the night, do NOT let Mad Alice escape.
I think this is a smart concise dissection of the genre. Insightful is a good word for it. But I think two things are left out that are very common to the genre.
1) I have noticed in Lovecraftian fiction that there is often a strong emotional detachment in the tone pieces. The works are often use an academic or clinical dissection of the events. The most obvious case of this is the afore mentioned Mountains of Madness, but also The Lurking Fear, The Dunwhich Horror and even Rats in the Walls all sort of have strong emotional detachment. Consider in Rats in the Walls when the protagonist discusses his invalid son with an almost off hand matter of fact tone. In modern Lovecraftian fiction there is a clinical tone to it. Consider reading the "The Ugly Chickens" by Howard Waldrop and see if this does not strike you as having a Lovecraftian tone.
However, this tone may not be Lovecraftian and something more about the puritanical English approach to horror. Certainly true in Bram Stoker's Dracula (the book) was that Western Europeans could use reason, discipline and a scientific method to describe and thus defeat the vampire. In something like the Exorcist it is the failure of reasoning that is scary. I think that this scientific view or psuedo-scientific view that I believe runs through Lovecraftian fiction adds strongly to the next point.
2) I feel that the second essential part of Lovecraftian fiction is the corruption. Somebody may claim this is what was meant by total party kill or secrete societies but they would miss the point of this. Total Party Kill is a sad ending and secrete societies are part of that horror in our own backyard theme. Corruption is the idea that horror and destruction are contagious. Take the story "The Lurking Fear" for example here you have the corruption of the Dutch settlers as the primary conclusion of the piece and the realization of which disturbs the narrator. In Event Horizon or In the Mouth of Madness you have the "turning" of the reasonable hero. The Color Out of Space the farm is corrupted, Rats in the Walls the Virginian is corrupted, and in Shadow Over Innsmouth of course you have the *spoiler* the narrator finding out that he is part of that gold mining fish cult-so kind of corrupted.
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Thanks for driving this discussion.