Since the beginning of time, Paladins have stood in unceasing opposition to the necromantic arts. Most believe these are affronts to nature and the gods, and, as such, seek to stamp them out wherever possible.
Not Sir Eggbert de Verre, however. Certainly, he will hunt down necromancers and dark warlords wherever he finds them, but takes pains not to harm their undead servants. He loathes dark magic as much as any of his comrades in arms, but for a slightly different reason- the rights of the formerly-unliving themselves.
Why, he asks, should one be forced to serve as cannon-fodder in the army of some upstart Dark Lord, or condemned to guard the tomb of some ancient king for all eternity, simply because one's rotting corpse was hauled up from the grave for that very purpose by the darkest workings of the void? Why shouldn't the unconventionally-resuscitated be left free to live out their lives undisturbed by both the cruelties of dark tyrants and the overabundant zeal of adventurers?
An unorthodox approach? Certainly. But what else would one expect from the Knight of the Living Dead? Go to Comment
Likeable chaps. You get a good feeling of their 'otherness', so important for that exotic race you need to place somewhere. Much as I like them, I would still like to see some 'bad' to them, or something to blow the mind upon. Even with the stranger parts they are in perfect harmony. Still a very good minor race. Go to Comment
The fact that you mess with The Song and have some unpredictable effect, like sending them on a murderous rampage (or have them all drop asleep)?
Like they hang with Dragons?
Not everyone needs to live a depressing, horrid, life. You should leave that to Goths and WoD players.
It is all about the spin. They are aliens, or being enslaved by the song. Or they could be a human disease, slowling taking over "the land". People could be entranced by their song after long enough exposure... turning them from people into Singers. They could be innocent victims to be abused by people, echoing a native plight.
I normally leave the spin to others and what they want to use them for. Nobody should be telling anyone how they should use a sub, not even the author. Go to Comment
The edit function is being wonky right now:
Change the Intro to:
You can hear the song from miles away. The song is enchanting in a mild way. Even the plants sing this haunting tune all day. For this day, you dance a new dance, from your world to theirs. Go to Comment
I am sorry, I thought it was clear that the amount of damage was along the lines of two broadsword's worth of damage. Otherwise why would it be so wimpy against organic and instantly devastating against rocks/ trees?
No worries. I will think of an edit to make that clearer. Go to Comment
One thing you must realise is that there is no such thing as pure iron/steel these days. Iron/steel isn't nearly as strong now as it was in medieval times. However, with that said, iron in early medieval times was so soft you could hack right through a helm with a sword and leave a nice lil mark on the skull (depending on the grade of iron used on the sword and the helm, ofcaurse). After many hundreds of years of fine tuning, however, the only use the sword had was to puncture the plate. That was very difficult, however, since the grade of steel was so hard... only blunt instruments and weighted axes had any use against plate armor in later medieval times. Makes me wonder why rapiers were so popular then and why less people wore plate (Other than it's obsene costs... a nice suit of armor would cost as much as a nice lexus does now... and a kings suit would be as much as a rols royce).
Ideas ( System ) | June 9, 2003 |