I have no tangible advice on how to write a novel, and I think, empirically ,it has been proven I have no taste so I can't speak to whether or not the events in this chapter are relevant or whether or not the introduction of new character is important. However, the introduction of a new character every thousand words or so seems to put a very frantic pace on things.
Over all though, after the first paragraph, i found this chapter to be clear, direct, and well told. We get an idea for the customs and we get an idea for the these other two new antagonist characters. I got the sense thesere characters were conniving, prideful, and a little ruthless. Is that what you were shooting for?
I found the first paragraph of this one confusing. Where everybody was in relation to events and scenery was not always clear and the timing of things also seemed difficult to follow.
It is also a little off putting when the main character is getting bored with things. I found things pretty interesting until Botari gets bored and drifts off. If you want to communicate her disinterest in things perhaps she could be a little rye or critical of the event rather than bored. Also it is not always clear how much she is really day dreaming in these scenes. Is she having really long periods of inward reflection? How can we be interested in what is going of if even the main character is not interested?
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At any rate, why do you want Temjun to win a wrestling match. We already know he is a winner, he is Gengis Kahn, Botari already knows he is a winner. Is there something else you are trying to show us about him or his opponents?
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Applicants must travel to the Seven Armie’s Battlefield, and present themselves directly to Xord. Applicants must be able to work independently, and have a penchant for pitched battles of attrition. The SCC is the only holy servant of Xord in the universe, and thus you will be free of many of the ministerial duties that characterize other religions, as you will have no flock to tend. The SCC's primary responsibility is to be the benefactor of any warrior that found himself to be the last man standing.
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Nicely done, I liked the format and was surprised (in a good way) when the letters switched perspective to steph. This is a good read and nice way of communicating information. You don't quite pull off the changing tones of a maturing mind in such away that you could write this without the ages beneath the letters. Still a fun intro for an RPG game.
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Upside of keeping the tone earnest and consistent through out is it suggests that the hero maintained his innocence through out and thus he is still that scared 9 year old boy when he gets pulled off towards the aliens. Who was it said that the key to sci-fi was to present a situation in which the youngest of men believe they could go as they are now and save the universe? That sci-fi has to provide a reality in which the pimply face round bellied boys felt like they could transcend all without the painful and compromising process of actually becoming a man.
I haven't noticed any problem with your action sequences. Thus far you have only had Botari's chase with kidnappers, and I thought you handled that well.
My advice for what to write next is to put in a complete mini-arc. You have your group together, and it seems to be that you are shooting for the classical-on the road-fantasy story. During the complete mini-arc you can continue your over arching story, but put in some conflict that gets slaughtered, cooked and devoured.
Let us say it is a wrestling Mini-arc
1) Temujin and gang meets a guy that has been and is a social and physical rival to Temujin. Botari remembers him from her past life, remembers how her Temujin told her a story that this rival was arrogant and distrustful of him until Temujin beat him in a wrestling match.2) The guys is disruptive to the group, he and Borochu get into a little scuffle. Temujin breaks it up and tries to talk it out.
3) Borochu gets huffy and Botari thinks Temujin is handeling things wrong. HE IS NOT DEALING WITH THINGS THE WAY HER TEMUJIN WOULD HAVE.
4) She encourages Temujin to challenge the rival to a match, she is confident he will win and that this will improve Temujin's relationship with this man.
5) Temujin loses the match and Botari, as a result is filled with doubt. Temujin is humiliated and no doubts Botari's advice. Botari now doubts whether not her intervention was helpful. She wonders who this new young Temujin is really? She wonders if her old Temujin was telling the truth when he described beating this man in a wrestling match or was it just the tall tales of a proud man? Losing in a wrestling match also might make his tribe look week.
Here you would have a whole arc. There is a conflict, there is a build up, there is a resolution, all these steps relate to the larger plot points but do not define them. But keep the focus centered on this mini-arc for a while. You haven't kept things on focused on any sub-plot points thus far.
This chapter has nothing to do with the thought stone or the tribe they just left. Try resolving smaller plots as a way of advancing the larger plot.
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I am all for wrestling.
I enjoyed this chapter. I found the description of to be Nalan Kahn to entertaining and clear. I found a lot of the discussion about what future Botari can expect was interesting. Lines like "There was no reason to fret over a none-too-stringent conflict not to come for years."
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It is very interesting that these she is looking at all these things both backwards and forwards. But what does Botari want for the future?
Serious font for two seconds: I did really struggle with the first paragraph. How much information was too much, and I agree the second sentence needs to go. Maybe the first paragraph all together. I also wasn't sure the gag about this guy thinking his gun and truck would be any use to him worked. I agree they sort of stall the pace of this.
But your comment made me also realize that this post is more or less what and where it is meant to be.
You see crucifiction, as you are new to site, what you need to understand is that I am the type of writer that quite simply....
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hang on there is something going on outside, I will jus......
Moon I can't tell if this post is funny or not, but I was going for funny. I also can't tell you the difference between a joke and satire, and that may mean I was going for both. But I didn't want to be mean, I just wanted to be funny. But I would like to make this post better at communicating the ideas and gags that are already in there. If you don't mind lets go over the first paragraph.
I wanted to convey three things. First the Eugene character’s lack of success in other fields of his life, thus mentioning the divorce and that he only held this job because of nepotism. I was hoping that these apparent failures would contrast with his arrogance and paint a self diluted and humorous caricature. Second, I wanted to communicate his relative age. By mentioning a divorce in particular it signaled that he was an adult, and his literal adulthood would contrast with his true child-like state that required he ask for his mother’s permission and explain his actions to her. Finally, I wanted to set up some geography of the location. There only two things in the picture, the demon and the church. So I was trying to place the church in a bit on context with regard to location in space and time. When writing something on the Citadel you cannot take for granted that your audience will place the events in a modern setting. A church in the Citadel could be anywhere from Domrémy-la-Pucelle, France in 1412 to the dreamscape of a Martian Cyborg as he travels back in time from the year 3000 to 13th century France. So by mentioning things like driveways, Okalahoma, Lutherans and divorce I placed the scene more or less in modern times.
Those are the things I wanted to communicate. I went back and added the first paragraph after I finished the rest of the anecdote. But I made one of the classic blunders. I assumed that my readers (all three of em) are paying attention. The better assumption is that you have to catch your reader’s attention. I think perhaps I failed to do that with the first paragraph.
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I considered some other intros, that is why I couldn't finish this in 30 minutes. I will post my other intros in the comments section. Tell me what you think of those Moon, and also tell me how you would manage the above points.
Alternate intro one.
Eugene Simons was a 32-year-old man who believed he understood the world far more than his education and professional achievements justified. Despite having no higher education and not having a full time job, Eugene was very pleased with his own intellectual capabilities and often disgusted with the lesser thought processes of most people. Eugene had always had an enthusiasm for ideas but he lacked the self-discipline and stomach for disappointment that was required for true intellectual or artistic careers. This love for ideas but distaste for the reality in which those ideas existed gave Eugene one true life path. Eugene became a Dungeon Master.
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He worked part time as the ground’s keeper at a church to which his family were generous contributors. But of the 20 hours a week they paid him to be there he spent most of it scribbling notes about dungeon maps and wilderness encounters in a spiral notebook. He felt he worked better at the small basement desk they had given him next to the furnace. The rest of his week he spent watching the television or reading comic books. Both tasks he approached with an affectatious seriousness. He considered these endeavors to be important research.
Imagine one could shop for minds the way one shopped for houses. If such a thing was possible a person could not help but be struck dumb when the realtor stopped her car in front of the mind of a 32-year-old custodian named Eugene Simons. Eugene’s mind is enormous. Just in shear scope and square footage it would rival the fabled pad of Mr. Darcy or shame the stage for lazy storytelling that is Dowtown Abbey. The inside is no less spectacular in terms of scope. The rooms of Eugene’s mind are enormous. The size of ideas and concepts that these spaces could hold is absolutely stunning. And layout of this cranial castle is such that all the enormous ideas can run together. Each room opens upon another (Eugene is to old fashion a thinker for anything as efficient as a hallway) and if you were to throw open all the doors you could effectively merge scores of different ideas into one contiguous form.
But those are just the first impressions. Upon second appraisal one would be forced to notice how little furniture and material there is in these room. Yes they can hold huge ideas, but the rooms themselves are almost useless. The space is excellent for party but Eugene has poorly equipped his mental house for the day-to-day tasks of living. Additionally, there is very little light in these spaces. The windows are small and hard to access. The lack of light means that when all these ideas parade through this gigantic house they appear as little more than shadows. Details and depth cannot not be seen when something passes through these dim rooms.
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Finally if one were to look a little deeper you might find something discarded in the corner. That item in the corner is our entire universe, or at least Eugene’s conception of it. Eugene took one look at the universe, and was confident he understood it all from quarks to macroeconomics to marriage to why milk is better with hot wings than beer. Eugene glanced at the universe, felt he mastered it, rolled it up into a small ball and tossed it aside so that he could parade his own poorly illuminated ideas through his great empty mind. Eugene became a dungeon master.