This is solid.
But I would not be so quick to call this man a good guy. Sure he is motivated by a desire to see his black and white views of morality realized throughout the kingdom, but does that make him good or does that make him just another tyrant? This man is a murderer, a liar, and kidnapper who has no respect for the dignity of the people he condemns. Furthermore his murders are not visibly the result of any moral consequence. Thus Trotha's presence would scare the honest just as much as it does the dishonest, and furthermore why not report the crimes he is punishing to his king? I do not think this detracts for the piece, but rather this contradiction adds to it.
If I were to run this piece I would have the PC confront the Trotha once without knowing his identity. Three options; he bests them and spares them, they best him and he escapes but they get a hint of his true self or they are rescued by a "evil noble" or the princess. Second Trotha carries out another assassination, they stop or it or try to stop it but either way they learn that the target is a bad man and has bad associates. If they stop it they have to decide what to with the bad man. Third: They go confront Trotha again and on this trip they don't meet him directly but they encounter an item that they think will let them kill Trotha from a far without meeting him face to face and without bringing him to justice. Fourth: Go rescue the princess, find out she ain't so nice....what do they do with her? Fifth: Discover or are informed of Trotha ID and his mission.
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Then what do they do, stop him from taking the princess again, help him take the princess, and do they let Trotha control the destiny of kingdom once the king is gone, which is his design? A good adventure should have both the PCs and DM surprised by the ending.
Planet minds, I haven't seen that in a while.
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I really liked this, I thought while it lacked personality specifics (aka the mind is described as nothing more than insane and the dead culture is glossed over), the tone and themes were well expressed by what I thought was very strong prose. The visuals and physical specifics of the planet are also very well explained.
I thought the first few paragraph were very solid prose, not fancy or mind blowing but clear and illustrative. Also I think this sort thing a "minor place" is exactly the kind of thing one might seek another's imagination in order to flesh out. I like it all but it just sort of drift off into forgetable. The flavor the place never really gets out in this write up. You describe the place effectively, as if you have been there, but you don't take us there.
I get the idea, but the write up is really confusing.
"anything you don't want to keep others away from are kept in this chest." I don't think the word don't should be in this sentence.
In the first sentence of the last "paragraph", I think spy should be plural.
This is a good canidate for the 100 word treatment.
Darkman with a bombstick,
The mysterious stranger,
-hunted by a highly trained cladestine military team,
-traveling from town,
-delivering enigmatic one-liners to bartenders
This has been done and done better. The fact the people think he is the last of undead is kind of interesting, but overall no.
I love this, it is funny, complete, well presented and I love the tone in which it was written. Straight forward and without much flourish or hyperbole-I think that adds to the excellent tone of the piece. I did not vote in the zombie quest, but this post makes me wish I had.
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