Our gaming group uses music very much and I think it plays a really important part in the atmosphere. Without music, any game especially if the rhythm is wrong feels a bit "empty". For scifi games we often use ambient soundscapes, electronic music, synthesizer music like Vangelis (Blade Runner soundtrack is exceptionally good - Cliff Martinez does a great work on the modern Solaris etc)
But I have also fiddled around in my home studio for a few years now, mainly making orchestral soundtrack -pieces and ambient atmospheres. I have myself used the material as a background music in my pen&paper -roleplaying sessions so I thought it would be nice to offer the music for everyone to use. All of the stuff is free so you can copy, modify and use it as you like.
I'll update the projects as often I can, so feel free to check back every now and then.
Mikseri.net is finnish page, so some of the texts are probably not understandable, but I have written everything I can in english, so I hope the pages are browseable.
Here's one sample song from Essence -project, called Hope for rebirth
Essence is the main project which contains mostly orchestral soundtrack-pieces
Divinity is the ambient project, which contains mainly soundscapes and background atmospheres.
Frozen Silence contains improvised solo piano pieces.
So feel free to browse the material and if you find it useful, hopefully it will bring something new to your games also! Go to Comment
A good point. I think I have used genre in wrong connections quite often - haven't really thought about it's true meaning a lot. But when you mentioned the word/term "setting" it became quite clear.
If one had time, one could for example write sort of an interactive novel - after a few pages, the reader could choose from different options, what happens next or for example, what decision the currently active character does. And depending on his/her choice the story branches to different line.
The trick would be, that even though the first part would define the setting sci-fi, the first choices would decide, what kind of atmosphere, or what genre the story itself represents. One choice would make it a horror novel, one would make it romantic drama etc. Setting stays the same but the whole story would be completely different.
This could of course be demonstrated with actual role-playing campaign or one-shot. Scifi setting, but what kind of game - possibilities are endless. Go to Comment
On route from Geli to Nekrass the characters meet a peasant boy on the road. He's wandering in the direction from which they've just come. If this seems a little bit incongruous, they may wish to ask him a few questions. He's perfectly willing to talk: he's called Lamish and he's run away because he knows he is the heir to the throne of Geli and his parents didn't believe him. How far is his home? About five weeks walk from here. How much has he eaten? Nothing. Has he drunk? Only from the filthy roadside ditches. In short, it's a wonder he is still alive. And yet he seems perfectly healthy.
Is he a thief, waiting for travellers to trick? Is he lying because there's something more sinister under all of this? Is he telling the truth? And anyway, what should the characters do? Do you take him to Geli? Do you try to find his parents? Or leave him to make his own way?