This blade is one of the fabled Fatal Swords of antiquity, the metal of the blade folded one-million times.
The Median forked dagger, a weapon evolved out of hunter’s tools, found almost exclusively in northeastern Media.
A Sport that Heroes and GMs can enjoy!
The wraith-witches of Bhudokima create these stones for the braves of the Mani tribes; they are tools of barbarian voodoo, infused with simple magic.
The ornate flintlock pistol of a highwaymen, consecrated to Nahrem, God of the Crossroads
The armies of the Treaty States go to the fronts of the Great War armed with the sturdy, trusty and effective Dirziet Model-6, a magazine-fed bolt-action rifle.
The enormous hammer of the Warlord Gyog Ak-Thail, the Ribcage Destroyer. It is said to have slain 3,000 men.
Stebanos paint is a tool of the poisoner’s culture of Tekne, mixed in with make-up, to make a Tekneani noble’s pale adornments deadly.
A sturdy, primitive Pictish axe
“When I was ten-and-eight years old, I went south to the land of Emhutz, which is near the Holy Land, and I went before the wisest of all God’s creatures but the Prophet, Najaug, all-knowing, all-seeing, all-wise, who in this time did dwell there, and him I asked five-score questions.”
-The Subeya, “First Song: Going Before the Prophet”
This heavy iron war-pick is was common in the the Pretender Wars
A bundle of Tyrnithi arrows. Rare and highly prized by Archers in this Lands.
The Ghollish Wide-axe was a design of axe popular a few decades ago in the southern provinces of (insert kingdom), especially among peasants involved in the Sickle of Justice rebellion (though these favored sickles to axes).
The Tree-of-Blades (along with the infamous dragonsword, with which we are not concerned here) is the signature weapon and symbol of the Dragonfighters of Mount Taris. It is also known as the Dragonfighter axe, or as the txarian (this name, pronounced “char-EE-ahn”, comes from Txarian Tapolosthes, the feared Chilliarch of the Dragonfighters, who led the his people in a series of short but vicious wars against the Mysians).
Some call the Khawarezmians primitive. Paperswords are not made of paper or parchament. They are made of thin sheets of bone laminated together. It takes expert craftsmanship to make them. They are anything but primitive.
Among the Centasi, especially those of the northern regions (a peculiar debased form of opera is performed among the islands of the north of which we shall not speak), there is no more beloved, ancient, and respected art than opera, that wondrous blending of theater, song, and orchestra. And there are no more respected composers of opera among the Centasi, whether ancient or contemporary opera, than the late masters Signore Anlar Parlat and Don Hazhizhab Takl. Their masterpieces, Phantom Snake and Don Han, respectively, are iconic to all Centasi.
Among the Centasi, especially those of the northern regions (a peculiar debased form of opera is performed among the islands of the north of which we shall not speak), there is no more beloved, ancient, and respected art than opera, that wondrous blending of theater, song, and orchestra. And there are no more respected composers of opera among the Centasi, whether ancient or contemporary opera, than the late masters Signore Anlar Parlat and Don Hazhizhab Takl. Their masterpieces, Phantom Snake and Don Han, respectively, are iconic to all Centasi.
The legendary Silver Mask of Ssungar is the battle-mask of Ssungar er-Shiai, the Magpie of Jiddeh. Taken as a trophy from his corpse, it was lost, found, stolen, and stolen again…
This is a large, heavy mask of Ahursian make, made with tarnished gold and lapiz-lazuli, as well as ivory. It has the appearance of a great crocodile head.
The famous chronicle of Laaman of Dreva, this is a comprehensive history of the wars against the Taxians in the Great Southern Conflict.