Among the Centasi, especially those of the northern regions (a peculiar debased form of opera is performed among the islands of the north of which we shall not speak), there is no more beloved, ancient, and respected art than opera, that wondrous blending of theater, song, and orchestra. And there are no more respected composers of opera among the Centasi, whether ancient or contemporary opera, than the late masters Signore Anlar Parlat and Don Hazhizhab Takl. Their masterpieces, Phantom Snake and Don Han, respectively, are iconic to all Centasi.
The legendary Silver Mask of Ssungar is the battle-mask of Ssungar er-Shiai, the Magpie of Jiddeh. Taken as a trophy from his corpse, it was lost, found, stolen, and stolen again…
This is a large, heavy mask of Ahursian make, made with tarnished gold and lapiz-lazuli, as well as ivory. It has the appearance of a great crocodile head.
A plant named for its gords, both in the smell of wet dog and for their roughly dog like appearance.
“Like the Jewel of the Mire, the soul is a bright light along the dark path of time. “
—Scedebus Scholar
The unwitting players tromping through the swamp won’t know what hit them.
The principal axiom of the Curalon Hestaris, and the basis of all its teachings, is this:
"Inhale. Kill. Exhale."
The School of Jundera is the most ancient school of Amandaeanic magic. Few know it’s history.
A great listing of names and short descriptions as well as fleshed out groups/ societies/ and organizations.
the Marongghovec, or Ale-Ox, is a large, yak-like animal native to northern Ageratos. To keep its belligerent, stubborn, and generally annoying personality in check requires an interesting ingredient.
A firebow, though no longer the staple weapon that it was during the era of it’s modernity, is still a powerful and versatile missile weapon in it’s own right.
Built to house riches that never came, the ironically-named Treasure House now lies in tumbling ruin.

“Return to me,” she said, and as he died, he said: “I shall return”.
And though the years flew like sparrows from disturbed nest, he did return, year after year…
Darkness nested in the woman’s heart
And her husband found that the Dark Face lingered there
So he took her to a pit of fire
And he cast her in.
-Twenty-Ninth Explanation, Sun’s Sword 5:8, The Book of Two Faces
The God has two faces, and wears two masks.
One is a bright mask, shining with light, shining like the sun’s gold; it is the Gold Mask.
The other is a dark mask, blackened with shadows, black like the night. That is the Dark Mask.
-First Explanation, Priest’s Teachings 1:2, The Book of Two Faces
Was this to be his last sight, then? These bloody-red gums, these rusty, iron teeth? Where were the Gods to defend him from Bloody Smile?

“Your eye, your eye!” crowed Imupokith, the Sea-Witch, and Vruthath, clutching his bleeding socket, held out his hand.
Upon the palm was a staring green eye.
The wall unsealed, Mirror Serpent peered inside, ready to gaze upon the riches within. But he recoiled. There was only a withered corpse, and in its hands, a flickering lantern…
Ku Pum, the Sorceror of Trum Pku, was struck by a strange need, and in his need he sought out the aid of Stone Bell, a Spirit of caves and underground places…
Among the Centasi, especially those of the northern regions (a peculiar debased form of opera is performed among the islands of the north of which we shall not speak), there is no more beloved, ancient, and respected art than opera, that wondrous blending of theater, song, and orchestra. And there are no more respected composers of opera among the Centasi, whether ancient or contemporary opera, than the late masters Signore Anlar Parlat and Don Hazhizhab Takl. Their masterpieces, Phantom Snake and Don Han, respectively, are iconic to all Centasi.